Greta Bergen knew there was something quite wrong with her when in kindergarten she was teased about her eyes, as wide apart as a flounder's and very hard to look at. A choice had to be made - left one or right one, and even Mrs. Crandall, the teacher, wondered if she had normal depth perception...or, on the other hand whether her peripheral vision encompassed far more than the average bear.
'God made you that way', her mother said, trying to comfort the little girl who had come home from school disconsolate, sobbing, and a snotty mess. 'But you have inner beauty'.
Mrs. Bergen had known that her daughter would never be a beauty early on. 'What a baby!' was all relatives could say when they saw Baby Greta in her cradle, doing all they could from turning away from the bassinette, averting their eyes from the baby and her poor mother.
Of course she loved her daughter, her first born, as any mother would, and hoped that in time her features would reassemble - the eyes would migrate, her chin would recede, and her ears would align themselves closer to her head; but no such luck. As the child grew, her already unusual features only became more so, and by the time she entered school she her face had a character and 'uniqueness' that would be hers for ever onward.
Mrs. and Mr. Bergen disagreed over the girl's parentage. Not that Harold accused his wife of infidelity (although he never looked at the milkman or plumber the same way again) or any such thing. He just wondered where in her genetic past her misshapenness (and yes, that was the only word to describe her) came from.
He exhumed old leatherbound albums and looked at hundreds of black and white photos of his wife's family - the reprobate Uncle George, convicted of felonious assault but a handsome man, dapper, a Rudolph Valentino lookalike; the fey and boyish Tommy, cute even at forty, photographed on Keuka Lake in a canoe; the absolutely stunning Mildred, flapper girl, Las Vegas star, and Hollywood bit player - but none of them gave an inkling as to where Greta's features came from.
His own family forbears were of no help - a sad sack, uninteresting lot, but they were at least regular in appearance, respectable burghers from Oneida, farmers and draymen since the Revolution. Nothing odd or remarkable there.
So it must have been a twist of fate, the garbling of genes through the generations which combined in such a holy mess in their poor daughter; but you had to play the hand dealt to you, and with any luck Greta would be a strong woman who would overcome her unfortunate physical heritage and be happy.
In America there were only two ways for a girl like Greta to overcome or at least compensate for her physical unattractiveness. The first was to submit to a surgical makeover, tighten the ears to her head, flesh out the lips, tonsure and accentuate eyebrows and lashes to deflect attention from the irremediable placement of her eyes, and complement with cosmetics, rouge and gloss, eyeshadow and liner, makeup, powders, lipstick and highlighters.
The second was to play the cards dealt, make the best of your hand or somehow capitalize on it. Greta chose this option, and decided that she would use her unfortunate physical appearance as a bold and defiant statement against bourgeois superficiality - the facile, contrived beauty of Hollywood, the runways of Milan, Paris, and New York, advertising, and the cult of the cute blue-eyed goddess.
Social scientists have long studied the relationship between physical appearance and social success. Beauty is not in the eye of the beholder. The standards of feminine beauty have not changed for millennia. Symmetrical features, luminescent eyes, full lips, and luxuriant hair all express health, wealth, and well-being as well as being pleasing to a natural sense of geometrical order, and sexual appeal. There is little difference between the women painted by Leonardo and the most beautiful Hollywood actresses of today.
Such beauty has always assured success. All things considered, beautiful women are hired first, promoted first, married first, and sought after always. Beauty has been less important for men whose success and sexual appeal has come largely from professional ambition, family status, and wealth; but still, the tall, handsome man is always noticed, deferred to, and given the benefit of the doubt. While women may reasonably doubt these men’s fidelity, they are drawn to them. Male beauty implies good breeding, good nutrition, and good genes. It is a stand-in for the more easily assessable and practical qualities.
What was surprising for the scientists was to find a link between unattractiveness and political philosophy. With few exceptions those women with a particularly insistent sense of compassion for the poor, the rights of the oppressed, the wavering climate, and the unequal distribution of wealth fell far off.
While liberal women - those watching from the sidelines, marching in the occasional jamboree for this or that, consistently voting Democrat - were no strangers to Armani, Arpege, and vogue, those in the progressive trenches, the social justice crusaders, were without exception stone brutes in appearance. From flannel-shirted tough girls from Bernal Heights, to Habitat for the Homeless ghetto missionaries, to tireless, passionate demonstrators for civil rights and international justice, they were off the charts.
Greta was on to something - ugliness in the face of ignorant bourgeois complacency was a badge of honor, a symbol of serious pursuits, intellectual commitment, and moral rectitude. Hundreds of these scraggly women gathered daily in front of the Trump White House, jeering the young, lily white, blonde, blue-eyed aides and interns headed for the West Wing. Not a black woman among them, not one gay man, not one 'othered' person.
Progressive to the core, dismissive of the superficial blandness of Midwestern farm conservatism, those jeering and howling at the gates made something of their unfortunate genes and showed the world that beauty was a farce, and that inner strength meant all.
Now, despite Greta's realism, she had been influenced like any other normal, healthy American girl by the culture of beauty; and when it came to choosing a mate, she of course hoped for a Brad Pitt, Leonardo DiCaprio, or Chris Hemsworth. Yet unsurprisingly the young men in her political coterie were as unfortunately graced as she; and like her, affected the most unappealing, slovenly, brashly indifferent attitude to dress and appearance.
In an epiphanic moment she realized, 'It's all about the sex', and coupling with one of these political retreads was not an option. Yet there was no telling how or even if dipping into the mainstream would pay any dividends - those binocular eyes, that frizzy hair, the ears...God had indeed been unkind.
Diana Vreeland is perhaps the best example of how clothes, cosmetics, and hair style can compensate for unattractive physical characteristics. In her autobiography, D.V., she recounts her particularly difficult childhood years, a very unattractive child with a beautiful sister.
Vreeland, never an attractive woman, went on to become the doyenne of fashion as editor-in-chief of Vogue and a long tenure and Harpers Bazaar. She believed that not only were clothes important and could compensate for a lack of classical beauty; but that they added value. She promoted the idea of style – an attitude more than a look not dissimilar from the Italian bella figura but far more dramatic. Vreeland was never a beautiful woman, but no one noticed.
It was worth a try, and Greta's parents happily offered to pay for the makeover - plastic surgery, top-of-the-line cosmetics, haute couture and American casual clothes, the works, and after a year, she emerged from the penumbra of ugliness. While not a stunning beauty, she was more than acceptable, and found herself the attention of not a few attractive, eligible young men.
Her former political sisters - the ones deep in the progressive struggle for social reform, equality, and right - saw her transformation as apostasy. She had become a Republican! an outsider, a defiling, unwanted presence. She might as well join Donald Trump and his pretty minions on Pennsylvania Avenue.
Which is what she did. Her years of squirreling away in the carrels of Harvard's Widener Library and across town in the economic labs of MIT were now paying off. Her esoteric work on the nature of markets was neutral enough to brush off any intimations of Keynes, and the Trump populists saw her as a welcome addition to the Council of Economic Advisors.
All this was incidental to what beauty - natural or acquired - means. Successful mating; and that, of course, had been the reason for her veering off course and into more congenial waters. She bedded one eager aide after another and could have had any of them; but again surprisingly reveled in her new, unanticipated libertinage. Marriage could wait. Conservatism, unlike progressivism had beauty and good times built in.